![]() ![]() ![]() Sound Design Level 6: Reaktor Programming.Sound Design Level 5: Reaktor Ensembles and Instruments.Sound Design Level 4: Advanced Sound Design.Sound Design Level 3: Sampling with Kontakt and Battery.Sound Design Level 2: Synthesis with Massive, FM8 and Absynth.Sound Design Level 1: Introduction to Komplete 8.Novemin NYC – Wednesdays and Fridays, 6:15-9pm UPCOMING Sound Design Courses Starting In New York City: Factory content is great, but everyone has it – your mix needs something special. Learn the fundamentals to make this easier, and gain the depth of knowledge to make a good sound better. #ABSYNTH NYC SERIES#Starting with an introduction to the properties of sound, this comprehensive series of courses covers most common synthesis methods available for music production in the DAW of your choice.ĭiscovering the right sound is like finding a needle in the digital haystack. This six-level Sound Design program uses Native Instruments’ Komplete as a platform for learning synthesis and sampling techniques. ![]() Related Dubspot Courses:īecome fluent in the language of sound design with this comprehensive program. You can hear Evan’s music and find out more about him at and /astrolith. He also helped develop Dubspot’s Sound Design program. Once you get the workflow down, this synth could end up being your best friend.” - Dubspot instructor Evan SuttonĮvan Sutton a.k.a Astrolith is an electronic music producer, sound designer, and audio engineer, as well as teaching sound design and electronic music production at Dubspot. Absynth is an incredibly versatile tool, so it’s important to take a deep breath, and think about what you’re trying to accomplish. Absynth draws on additive synthesis to let us morph between two distinct timbres, creating unusually rich sonic textures. Additive synthesis is the process of bringing together many sinusoid partials in order to build a sound from the ground up. One of the unique qualities of Absynth is that it is one of the only places in the entire Komplete suite where we can use additive synthesis. #ABSYNTH NYC MOVIE#It’s been used by countless luminaries, including Trent Reznor, and adored by movie sound designers for years. “Absynth is one of the most highly underrated and misunderstood synths out there. In this tutorial he uses Logic as a DAW, but also explains that the process for using Absynth is exactly the same if you use Ableton or another DAW. This is a really cool feature that Absynth has, and one of the only places where additive synthesis is used in Native Instruments’ Komplete (aside from Reaktor library instruments),” explains Sutton. “At the core of this sound is the morphing wave. In this new video, Sutton shares his creative process of “adding a counterpoint” to his signature wobble using Native Instruments’ Absynth instrument. ![]() In the latest video tutorial with Dubspot sound design course designer/instructor Evan Sutton, we explore the sonic capabilities of “morphing waves” in Native Instruments’ Absynth software.Įvan Sutton is one of Dubspot’s esteemed instructors by day and a sonic alchemist by night with his Astrolith ( Space is the Place) music project which employs wobbling, funky bass lines under pitch-modulated vocals and synths. ![]()
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